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CHRISTINE GEDYE

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CHRISTINE GEDYE

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Not To Be Missed

August 1, 2016 Christine Gedye

I am incredibly grateful to live in a city and region that offers so much for the working artist. Active organizations provide a supportive cohort, workshops abound, both in person and online; and juried shows and group exhibitions seem to be popping up hither and yon, even as brick and mortar galleries close up shop. Art walks and museum exhibitions enrich my evenings and weekends and travel time. And then, of course, there’s my own solo show coming up in October, so I suppose there’s the issue of studio time.

Indeed, as the queen of FOMO (“fear of missing out”), I often find myself spread a bit thin. Nearing the end of a summer of too many workshops (all fantastic), juried show entries (with mixed results) and the birth of two new monthly art discussion/critique groups (much needed camaraderie), it is clear I need to take some time to reevaluate my priorities, and realign my commitments accordingly.

That said, one event that is now even more firmly planted in my annual calendar is the Anacortes Art Festival Juried Fine Art Exhibit. We attended the opening reception at the Port Transit Shed last Saturday night, and the vibe and the venue were so welcoming that we were talking about relocating to Anacortes by the end of the evening. The over-the-water, indoor-outdoor venue sets a memorable stage, with its soaring ceilings, rustic floorboards (see the water rippling below!) and fabulous shipyard location just a block or two from Anacortes’ great restaurants (we dined at Adrift pre-show).

But what really sets it apart is how incredibly well-run this show is, thanks in large part to the year-round staff. With their committed and capable board, they are able to organize hundreds of volunteers to keep it all running smoothly and efficiently. And they always attract the most highly respected jurors—this year, it was Barbara Shaiman, longtime curator of the SAM Sales and Rental Gallery and now the Alexis Hotel. She waded through 264 artists and over 800 images to arrive at the final 45 artists—all media—included in this very strong showing.

The juried exhibit is just one part of the art festival; it opens the weekend before the main event of artisan and craft booths, live music and festival food, all of which take place August 5-7. The Juried Show is open all week and through next weekend, so if you are hankering for a unique art viewing experience, I encourage you to make the trip. 

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Last few days to catch the phenomenal show of George Tsutakawa’s early works on paper, @cascadiaartmuseum . Not only will you see how a sculptor thinks in 2D, you will get a fascinating glimpse into the Seattle mid-century art scene, as well as
“Skagit Haiku” (16 x 20, oil on collage on panel). This piece will be part of the live auction tomorrow night at the Gage Academy Collectors Gala. Like  a number of other Seattle arts orgs, Gage will be supporting their donating artists b
So excited to put this puppy to the test! New taboret with crazy amount of storage, big casters that allow me to move it easily even fully-loaded, plus space to clamp IPad holder. Now I just need to get a piece of glass cut to fit the top for a palet
GIVING TUESDAY, Part 2: Yesterday I highlighted the first of two organizations I am supporting today with a percentage of proceeds from my October show @fountainheadgallery. Today, I bring you 
@gageacademy, an institution built on the core belief t
GIVING TUESDAY is tomorrow! On the heels of such a successful show this fall, it only seemed right to join in. I’ll be donating 10% of my proceeds from all “Flow States” sales to two organizations I’ve supported for years. 

I
Small Business Saturday is coming right up, and @fountainheadgallery is participating. They're offering 10% off all in-gallery art purchases, a raffle for a $200 gift certificate, Macrina Bakery goodies and extended hours (9am to 7pm). A portion of a
I can't let this time of year pass without saying thank you to the art lovers, collectors, friends and colleagues who are a vital part of my practice. My day-to-day work in the studio is often solitary, but knowing you are out there taking an interes
Nature’s Lace, 20 x 24, oil on collage on panel. Swipe for early process shot and underlying collage.
We are in the waning days of my solo show, Flow States. If you haven’t already, please drop into @fountainheadgallery this weekend to se
Retreat, 18 x 24, oil over collage on panel


I hate to pick favorites, but from my current show, this one is special. In an earlier post about it, I describe the personal history of the underlying collage materials. But the other thing that resona

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BLOG POSTS

  • September 2022
    • Sep 18, 2022 Flow States at Fountainhead Gallery
  • April 2021
    • Apr 20, 2021 So Many Spring Art Happenings
  • August 2020
    • Aug 7, 2020 How I Spent My Spring Pandemic
  • October 2019
    • Oct 4, 2019 Stillness
  • February 2018
    • Feb 24, 2018 The Gifts of Culmination
  • November 2017
    • Nov 26, 2017 Enhanced Spatial Awareness
  • July 2017
    • Jul 13, 2017 Biggest-Ever Work in Progress     
  • January 2017
    • Jan 12, 2017 Sneak Peak to What's Ahead in 2017
  • October 2016
    • Oct 1, 2016 The Poet Inspires the Painter
  • September 2016
    • Sep 25, 2016 The "Tiffany Box" for My Paintings
    • Sep 13, 2016 Mark Your Calendar
  • August 2016
    • Aug 1, 2016 Not To Be Missed
  • July 2016
    • Jul 25, 2016 How to Purchase Artwork
  • November 2013
    • Nov 24, 2013 Northwest Horizons

 
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GALLERIES


Fountainhead Gallery
Seattle, WA

Kneeland Gallery
Ketchum, ID

 

© Christine Gedye 2024

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Being and Becoming
Fountainhead Gallery, May 2024

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